Dual 13.5-inch (345 mm) Powered Subwoofer, Black Gloss Finish
Powered Subwoofer with Dual 13.5-inch Subwoofers, 4500 watts
Your first look will tell you that you are looking at something special... your first listen will confirm it beyond a shadow of a doubt.
The beauty of the Gotham® v2 extends well beyond its exotic design and exceptional craftsmanship, aiming right at the emotional core of musical and cinematic enjoyment. This is a subwoofer system with limits that exceed the needs of the typical home theater application, delivering a weight and integrity of reproduction that can only come from a system that is always in control. Its allure lies as much in its ability to convey subtleties as in its prodigious output capabilities. It is simply devastating.
A luxurious, handcrafted gloss-black finish is complemented by machined aluminum and stainless steel accents for a look and feel that fits perfectly with the finest home furnishings. More importantly, the beautiful cabinet houses a pair of JL Audio's highest-technology Subwoofers. When demanded by program material, the Gotham's prodigious switching amplifier can deliver 4500 watts of RMS power, to take full advantage of the twin drivers' four inches of peak-to-peak excursion capability. This ensures that the Gotham can breeze through material that makes other subwoofers go into clipping, limiting or distress.
A very complete set of signal processing features is easily accessible on the top surface of the Gotham. These include a highly flexible low-pass filter, variable phase, switchable polarity, e.l.f. trim and our powerful Digital Automatic Room Optimization (D.A.R.O.) system. A calibrated microphone is included for the D.A.R.O. system. Input connections are made via unbalanced RCA connections or balanced Neutrik® combo XLR/TRS jacks. Also included is an XLR output to connect a second Gotham® v2 as a slave unit.
Listening to a Gotham® v2 reveals an entirely new dimension of subwoofer performance... a dimension so satisfying that listening to lesser subwoofers will forever become an act of compromise.
Finish: Gloss Black, hand-finished to the highest furniture-grade standard.
Grille finish: Black fabric (separate grilles for drivers and controls)
Enclosure Construction: Fiberglass, 2-inch (52 mm) wall thickness
|Enclosure Type||Sealed, with non-parallel walls|
|Enclosure Finish||Black Gloss|
|Frequency Response (anechoic)||19 - 112 Hz (±1.5dB)
–3 dB at 17.5 Hz / 120 Hz
–10 at 14 Hz / 150 Hz
|Effective Piston Area (Sd)||214.70 sq in / 0.1386 sq m|
|Effective Displacement||773 cu in / 12.7 L|
|Amplifier Power||4500 W RMS short-term|
|Power Mode(s)||Off, On or Automatic (Signal-Sensing)|
|Light Modes||Off, On or Dim|
|Unbalanced Inputs||Stereo or Mono (two RCA jacks)|
|Balanced Inputs||Stereo or Mono (two female XLR jacks)|
|Input Grounding||Isolated or Grounded|
|Input Modes||Master or Slave|
|Level Control||Reference (fixed gain) or Variable, from full mute to +15dB over reference gain|
|Filter Slope(s)||12/24 dB/octave|
|Filter Frequency Range||30 Hz - 130 Hz|
|Filter Defeat Function||Yes|
|Polarity||0 or 180 degrees|
|Phase||Variable, 0 - 270 degrees|
|Extreme Low Frequency (E.L.F.) Trim||Variable, -12 dB to +3 dB at 20 Hz|
|Output to Slave||Balanced (one male XLR jack)|
|Calibration Mode||Digital Automatic Room Optimization (D.A.R.O.), incudes laboratory-grade microphone|
|Width (W)||21.50 in / 546 mm|
|Height (H)||34.13 in / 867 mm|
|Depth (D)||24.0 in / 610 mm|
|Net Weight||360 lb / 163 kg|
|Note: Height dimensions include feet.|
Digital Automatic Room Optimization (D.A.R.O.)
JL Audio's exclusive D.A.R.O. technology uses a powerful on-board DSP to automatically optimize the subwoofer's in-room frequency response. This leads to a superb listening experience, no matter where the subwoofer is placed.
In typical listening spaces, subwoofer and listener placement have a profound effect on the accuracy of low-frequency reproduction. While we always recommend that you place your subwoofers in good-sounding locations, we know that these often can be impractical locations. In the real world, subwoofer placement almost always involves a compromise between sonic performance, practicality and aesthetics.
To face this dilemma head on, JL Audio subwoofer systems incorporate a clever piece of technology called Digital Automatic Room Optimization (D.A.R.O.). The D.A.R.O. system self-generates a series of calibration tones, measures the frequency response at the listening position, and automatically configures an 18-band, 1/6 octave equalizer for a flat end-result. The system effectively allows for smooth, well-balanced sub-bass from a variety of locations that would have been less than ideal without D.A.R.O.
To perform this audio magic, all you have to do is:
- Connect the included calibration microphone to the front panel of the subwoofer.
- Press the calibrate button on the front panel of the subwoofer.
- Hold the microphone at the primary listening position for about a minute.
- A few minutes later, you have completed this one-time setup routine.
Read a review of the D.A.R.O. feature on Acoustic Frontiers
Dynamic Motor Analysis - DMA Optimized Motor
JL Audio's proprietary Dynamic Motor Analysis system is a powerful suite of FEA-based modeling systems, first developed by JL Audio in 1997 and refined over the years to scientifically address the issue of speaker motor linearity. This leads to vastly reduced distortion and faithfully reproduced transients... or put simply: tight, clean, articulate bass.
Since 1997, JL Audio has been at the forefront of Finite Element Analysis-based modeling of loudspeaker motors and suspensions. This research is aimed at decoding what we refer to as the "Loudspeaker Genome"... a project aimed at understanding the true behavior of loudspeakers under power and in motion. A major component of this integrated system is DMA (Dynamic Motor Analysis). Starting with the 15W3 and the W7 Subwoofers in the late 1990's and early 2000's, DMA has played an important role in the design of all JL Audio woofers sold today, including our component woofers.
DMA is a Finite Element Analysis (FEA)-based system, meaning that it takes a large, complex problem, breaks it down into small solution elements for analysis and then assembles the data to form an accurate, "big-picture" solution. DMA's breakthrough is that it actually considers the effects of power through the coil as well as coil/cone position within the framework of a time-domain analysis. This gives us a highly accurate model of a speaker's actual behavior under real power, something that the traditional Thiele-Small models or other low power measurements cannot do. Because DMA does not rely on a steady-state model, it is able to consider shifts in the circuit elements being analyzed. These modeling routines are intense, requiring hours to run for a whole speaker.
DMA is able to analyze the real effects of fluctuating power and excursion upon the magnetic circuit of the motor, specifically the dynamic variations of the "fixed" magnetic field. This delivers intensely valuable information compared to traditional modeling, which assumes that the "fixed" field produced in the air gap by the magnet and the motor plates is unchanging. DMA not only shows that this "fixed" field changes in reaction to the magnetic field created by current flowing through the voice coil, but it helps our engineers arrive at motor solutions that minimize this instability. Analyzing this behavior is critical to understanding the distortion mechanisms of a speaker motor and sheds light on the aspects of motor design that determine truly linear behavior:
- Linear motor force over the speaker's operational excursion range
- Consistent motor force with both positive and negative current through the coil
- Consistent motor force at varying applied power levels
Our ability to fully analyze these aspects of motor behavior allows our transducer engineers to make critical adjustments to motor designs that result in extremely linear, highly stable dynamic loudspeaker motor systems.
The payoff is reduced distortion, improved transient performance and stellar sound quality.
W-Cone (U.S. Patent #6,496,590)
The W-Cone is a unit-body cone assembly that delivers astonishing cone stiffness with minimal mass. The shape also provides superb torsional rigidity, which is critical to maintaining voice coil alignment at the suspension limits.
The more excursion and motor force a speaker has, the more important cone rigidity becomes. The acceleration forces are extreme, requiring the cone to withstand rapid changes in speed and direction without deformation. Deformation not only leads to distortion, but can also affect the speaker's mechanical integrity by allowing the voice coil to go out of alignment and rub on the top-plate and the pole-piece of the motor.
There are several approaches to enhancing cone rigidity. The obvious ones are using a thicker material and/or a stiffer material. In recent years, several manufacturers have used composite cone materials (Kevlar®, fiberglass, etc.) or metals (aluminum, magnesium, titanium alloys). The use of these exotic materials is typically accompanied by marketing claims that the material chosen has exceptional stiffness-to-mass characteristics. These are true statements, but can be misleading. While these materials have excellent stiffness-to-mass properties (compared to paper or poly), they are not lighter than paper or poly in practice. This means that their use accepts the compromise of added moving mass on the design. This leads to efficiency penalties and suspension complications (it's harder to keep a heavy mass aligned properly).
A simple poly cone diaphragm, while sufficient for lower power designs, would not remain rigid under the demands that the W7 design requires. Our engineering team knew that high levels of cone rigidity would be needed, but they focused on achieving rigidity without a huge weight penalty. This ultimately led to the design we call the W-Cone. The W-Cone assembly achieves its rigidity through architectural means, rather than through inherently stiff materials. The design addresses the stiffness issue by using two lightweight mineral-filled polypropylene skins, bonded together at the perimeter and the center of the assembly. The lower skin's cross-section is shaped like a 'W', hence the name, and provides incredible rigidity when bonded to the dished upper skin. The effect is not unlike the trusses of a bridge or the unit-body construction of a modern automobile. In addition to the overall rigidity benefit, the lower skin's shape distributes the force generated by the coil and motor more evenly than a typical diaphragm. The force is not only applied to the apex but also distributed to the perimeter of the outer diaphragm for more linear behavior. A further benefit of the W-Cone is that the upper skin (the one in contact with the listening environment), is isolated from the high air-pressure gradients of the enclosure, further reducing deformation (and distortion).
As a point of comparison, the W-Cone assembly of a 12W7 is 32% lighter than a typical aluminum-alloy 12-inch cone. If analyzed in terms of weight per square inch of piston area, the W7 cone-body weighs 1.24g/sq.in., compared to 1.45g/sq.in. for an aluminum-alloy cone and 1.66g/sq.in. for a titanium-alloy cone.
So why polypropylene? As stated above, our patented W-Cone technology achieves all of the benefits of more exotic materials while better suiting the unique nature of the W7. Since the W7 surround is detachable, the moving system (including the diaphragm) is subject to mechanical stress unseen in conventional designs. Because the user can tug on the cone while manipulating the surround, the cone must be able to handle this without buckling or deforming. Paper, metal or brittle composite cones would not handle this well. Our two-skin unit-body cone design achieves outstanding axial and torsional stiffness to withstand all kinds of abuse, and will remain largely unaffected and unblemished.
Elevated Frame Cooling (U.S. Patent #6,219,431 & #6,229,902)
JL Audio's patented Elevated Frame Cooling design delivers cool air through slots directly above the top-plate to the voice coil of the speaker. This not only enhances power handling, but also sound quality by minimizing dynamic parameter shifts and power compression.
Many speakers employ venting techniques to enhance voice coil cooling. This is typically accomplished by having big holes in the sides of the frame just below the spider attachment shelf. While it provides a modest cooling benefit, this low-velocity air-flow does not blow directly or strongly on the voice coil.
Our patented design improves upon this cooling technique in a number of ways. By elevating the frame above the top-plate of the motor (via stand-offs integrated into the bottom of the frame) a narrow, high-velocity air-path is created between the bottom surface of the frame and the top surface of the top-plate. This air path leads directly to the voice coil and then turns upward into the spider air cavity. By utilizing the pumping action of the spider through this focused air path, a large volume of cool air hits the coil windings directly.
Another important benefit is that the upper surface of the top-plate (one of the speaker's hottest parts) is directly exposed to cooling air flow, whereas on a conventional design it is isolated from the air flow by the lower flange of the frame. The elevated frame technology greatly increases thermal power handling, reduces compression effects and does so without any additional parts.
Floating Cone Attach Method - FCAM™ (U.S. Patent #6,501,844)
This assembly technique, conceived by JL Audio, ensures proper surround geometry in the assembled speaker for better excursion control and dynamic voice coil alignment.
JL Audio's patented FCAM™ technology is an innovative method of bonding the surround/cone assembly to the voice coil former/spider assembly. This feature helps ensure concentricity of the surround, spider and voice coil without torquing the suspension to achieve it. This allows for the inevitable, slight variations in production part dimensions without having them negatively impact the integrity of the suspension and coil-centering at high excursions.
By utilizing space wasted in conventional speakers, this ground-breaking innovation controls the W7's massive excursion without sacrificing precious cone area.
One of the first things you notice about a W7 is that something is "missing"... the mounting flange. Of course, this is actually not the case. The mounting flange is simply hidden beneath the surround and is made accessible for mounting purposes by detaching the outer edge of the surround and moving the roll to the inside (a pretty neat little trick). Apart from the obvious benefits of amazing your friends as you pull the surround off your speaker, there is a serious technical issue that led us in this design direction: Effective Piston Area ("Sd"). This is essentially the speaker's "cylinder bore", to use an automotive engine analogy, and is calculated by measuring the diameter of the diaphragm including one-half of the surround roll-width. In other words, from the top-center of the surround on one side to top-center of the surround on the other side.
The displacement capability of a speaker is determined by this piston area times the speaker's excursion capability. Displacement of air is directly linked to output potential. Therefore, the more air a speaker can ultimately displace, the louder it can play. That being said, there is a big difference between piston area and excursion: piston area doesn't need power to make it happen. This means that by making a larger piston, you are directly improving displacement for a given amount of excursion and, therefore, making your speaker more efficient. This is not the only factor that governs efficiency, but it is a major one.
To make a speaker have more excursion capability not only requires a motor design that can deliver more stroke, but also requires a surround rugged enough to handle the demands of longer excursions and controlled enough to keep everything lined up properly. If the surround's roll-width is not adequately large, its behavior (compliance) is not linear over the useful stroke of the woofer and it is more likely to fatigue and fail. For this reason, speakers with longer excursion capability generally need larger surround rolls (we won't comment on the ones that use large rolls strictly for cosmetic effect).
The problem with big surrounds is that they begin to encroach on the effective piston area of the driver. For example, a typical 12-inch woofer with a medium-sized roll has an effective piston area of 81.52 square inches. Compare this to a fat-surround 12-inch woofer which has a piston area of 69.07 square inches (15.2 % less effective piston area than the medium-size roll.) To overcome this loss, the fat-surround woofer has to produce more excursion to displace the same air as the woofer with the medium surround (and will require more power to do so).
OverRoll™ technology neatly sidesteps this compromise by allowing us to make full use of the entire footprint of the speaker, placing the surround further to the outside than in a conventional woofer. This means that we can use a large roll for all its benefits without sacrificing cone area (in fact, the 12W7 has 1% more piston area than the medium-surround conventional woofer). By maximizing the effective piston/total footprint ratio, we can deliver more output for a given excursion and outside frame diameter. This means that the prodigious excursion advantage of the W7 can be put to full use enhancing output, rather than making up for lost piston area.
The technology also provides a geometry advantage on the outside edge of the surround roll, allowing for more linear operation. A further benefit is that the mounting holes are inherently sealed by the surround, resulting in an improved box seal.
Radially Cross-Drilled Pole-Piece (U.S. Patent #6,243,479)
This innovative venting system greatly enhances thermal dissipation and power handling by directing air flow onto the voice coil former, working in conjunction with the Elevated Frame cooling technology to effectively remove heat from the voice coil. This improves power handling and reduces power compression effects, leading to more linear performance.
This technology differs from a conventionally vented pole-piece in that the air flow is capped off at the top of the pole-piece and directed through machined holes on the outer wall of the pole-piece to the region directly behind the voice coil. The top portion of the pole-piece is smaller in outside diameter where the holes vent and helps create a high-volume, high-velocity airflow path between the inner-coil cavity and the ambient air of the enclosure.This helps remove super-heated air that is trapped between the coil former and pole-piece on a conventional design, leading to a dramatic improvement in cooling efficiency, especially at high excursions.
Engineered Lead-Wire System (U.S. Patent #7,356,157)
Carefully engineered lead-wire design and attachments ensure controlled, quiet lead-wire behavior under the most extreme excursion demands.
Managing the lead-wires on a long-excursion woofer is one of the trickier aspects of its mechanical design. To address this, many long-excursion woofers today rely on a simple solution that weaves the lead-wires into the spider (rear suspension) of the driver.
The biggest problem with this approach is that spider limiting behavior plays a hugely important role a woofer's performance. Lead-wires that are attached or woven into the spider material can alter the spider's "stretching" behavior. The tinsel wire naturally has less 'give' than the fabric material of the spider leading to asymmetrical spider behavior and non-uniform stress distribution around the spider circumference. The wire attachment points can also cause localized pulling and tearing forces at the spider's excursion limits. As such, longevity becomes a major concern and makes the woven-in design less than ideal for very long-excursion designs.
While a traditional 'flying lead' design does not compromise spider linearity or radial stability, it creates its own challenges on a long-excursion woofer. Managing the 'whipping' behavior of the wire and making sure it does not contact the cone or spider is one challenge. Another is ensuring that the leads do not short one another or the frame of the woofer.
To overcome these issues, JL Audio's engineered flying lead-wires work in conjunction with carefully engineered entry and exit support structures molded into the terminals and the voice coil collar. Some models also feature jacketed lead-wires to further reduce the likelihood of shorting and fatigue. The result is flawless high-excursion lead-wire behavior, with outstanding reliability and none of the compromises inherent to a woven-in lead wire system. Building woofers this way requires much more labor and parts complexity than the simpler woven-in approach, but the payoff is in reduced distortion, reduced mechanical noise and improved reliability.
High-Damping Feedback Circuitry (U.S. Patent #6,441,685)
This proprietary, discrete control circuit design allows our Class D switching amplifiers to maintain an excellent damping factor for improved transient behavior and fidelity.
While Class D amplifiers are well known for outstanding efficiency, they have also been known for less than spectacular sound quality due to weak damping of the driven load and poor power regulation. These factors are critical to subwoofer fidelity as they relate directly to the amplifier's ability to control the motion of the speakers.
JL Audio's Patented Class D output circuit utilizes a discrete control section and a unique feedback loop design that results in outstanding power regulation with a damping factor that's vastly higher than other Class D designs and also higher than most Class A/B amplifiers. The benefit of this exclusive JL Audio technology is tight, clean bass reproduction with the efficiency advantage of Class D.
It is a package tailor-made for world-class bass performance.
Built in U.S.A. with Global Components
JL Audio's Miramar, Florida loudspeaker production facility is one of the most advanced in the world.
At a time when most audio products are built overseas, JL Audio’s commitment to in-house loudspeaker production continues to grow. To pull this off in a competitive world market, our production engineering team has created one of the world’s most advanced loudspeaker assembly facilities and established a global network of quality component suppliers who build to our specifications. This, combined with our commitment to state-of-the-art assembly technology, allows our skilled workforce to efficiently build JL Audio products to extremely high quality standards, right here in the U.S.A.
Since most of our premium loudspeakers incorporate proprietary, patented technologies requiring specific assembly techniques, we find it is vital that the people who designed them have close access to the people manufacturing them. The following JL Audio products are built in our Miramar, Florida factory, with global components:
- Subwoofers: W7, W6v3, TW5v2, TW3, TW1, W3v3
- Enclosed Car Subwoofers: Stealthbox®, PowerWedge™, ProWedge™, H.O. Wedge™ & MicroSub™ Enclosed Subwoofers
- Marine Loudspeakers, Marine Subwoofers and Marine Enclosed Loudspeakers
- Home Subwoofers: Dominion™, E-Sub, Fathom® and Gotham®
Find the answers to many common questions:
U.S.A. Warranty Information - Home Audio Powered Subwoofer Systems
JL Audio Home Audio Powered Subwoofer Systems are warrantied against defects in materials and workmanship for Three (3) Years from purchase date. JL Audio will, at its discretion, repair or replace any products that exhibit defects in materials and/or workmanship during the warranty period.
Please hold on to your sales receipt! All warranty service requires original sales receipt documentation. The warranty only applies to the original purchaser from an authorized retailer.
Note: Products purchased from unauthorized dealers are not covered under warranty.
The following is not covered under JL Audio's warranty program:
1. Product with defaced, altered or removed serial numbers (no valid, legible serial number = no warranty).
2. Product owned by anyone other than the original purchaser from an authorized JL Audio dealer. (The warranty is not transferable and will not apply to products purchased from unauthorized dealers.)
3. Product that has been physically abused (run over by a car or beat with a hammer, for example).
4. Product that has not been installed according to the instructions in the owner's manual
5. Product in which repair and/or modification has been attempted by unauthorized parties
6. Product damaged cosmetically due to improper handling or normal wear and tear
7. Product damaged in an accident, due to criminal activity (attempted theft, gunshot damage, etc.) or by 'acts of God' (flooding, lightning, locusts, etc.)
8. Custom finishes or other cosmetic treatments applied to products. (JL Audio will not be responsible for restoring or maintaining any custom finishes)
9. Installation and shipping costs associated with removing, re-installing or shipping the product to JL Audio for warranty service
Ask your dealer for details on warranty limitations.
If you need Service on your JL Audio Product:
All warranty returns should be sent to JL AUDIO freight prepaid through an authorized JL AUDIO dealer and must be accompanied by proof of purchase (a copy of the original sales receipt.) Direct returns from consumers or non-authorized dealers will be refused unless specifically authorized by JL AUDIO with a valid return authorization number. Warranty expiration on products returned without proof of purchase will be determined from the manufacturing date code. Coverage may be invalidated as this date is previous to purchase date. Return only defective components. Non-defective items received will be returned freight-collect. Customer is responsible for shipping charges and insurance in sending the product to JL AUDIO. Freight damage on returns is not covered under warranty. Always include proof of purchase (sales receipt).
A complete collection of Home Audio Reviews & Product Information
Golden Ear Award Winner
The Absolute Sound, 2016
"In the case of the twin 13.5" woofers in each JL Audio Gotham, the addition of subs also extends low end into the 20Hz range and below, adding visceral power and clarity to recordings that feature extremely low-pitched instruments (such as organs, synths, five-string bass guitars, contrabassoons, bass trombones, pianos, etc.)... it is simply astonishing how much of a perceived difference that touch of ultra-low end makes in overall realism (both in the bass and in the perceived clarity of the midrange), without any of the usual penalties paid in midband veiling or midbass overlap."
– Jonathan Valin, November 2016, Read about the g213v2 / Magico M Pro (combination award) at theabsolutesound.com
Golden Ear Award Winner
The Absolute Sound, 2015
"...the Gothams and the CR-1 are tickets to a full-range bliss you've never before experienced, because, in my own experience, it's never before been available at this level of unalloyed satisfaction. Both the Gotham subs and JL's CR-1 crossover, obviously, get my highest, most unqualified, most enthusiastic recommendation. I just wish all of you could hear them!"
– Jonathan Valin, July/August 2015, Read the g213 / CR-1 Review at theabsolutesound.com
Greatest Bargains in High-End Audio - 2017-2019
JL Audio Gotham g213 subwoofer
Product of the Year
The Absolute Sound, 2015
Editors' Choice Award Winner
The Absolute Sound, 2015-2021
Best Sound at the New York Audio Show?
"It wasn't close and it wasn't fair."
"No wonder the crowd exiting before I entered for the next show left excited and grinning from ear to ear!"
–Michael Fremer, AnalogPlanet.com, April 16, 2013
"There is apparently information in the subsonic region that fills out the sound of a concert hall. Once you’ve heard it, you can’t go back."
– Jacob Heilbrunn, TONEAudio
"The Gotham g213 produces state-of-the-art bass that will improve the highest of high-end systems. I've heard no other subwoofer that can match it."
– Jeff Fritz, Ultra Audio
"The Gotham is a massively overbuilt (think mil-spec) subwoofer that doesn't know the meaning of the term dynamic constraint"
– The Perfect Vision
CEDIA 2004 Best Sound, JL Audio Gotham
– Neil Gader, The Perfect Vision
While it's true that you should never judge a book by its cover or a subwoofer by its luxurious, hand-rubbed gloss-black finish, one look at the Gotham g213 creates instant desire.
– Darryl Wilkinson, Home Theater
The leading low frequency sounds at the (CEDIA 2004) show emanated from JL Audio.
– Stereophile Ultimate AV
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